Metabolismo cromático del cosmos

enero 5, 2011

ENGLISH VERSION (PART TWO)

Filed under: Uncategorized — cromacosmos @ 7:51 pm

CROMACOSMOS part two. PERSONAL OPINIONS

CROMACOSMOS prte. PERSONAL OPINIONS

Big Crunch, Theory of the Great Implosion or great Collapse. Closed universe.

Personally this model does not have anything to do with my approaches.

According to the law of Hubble the expansion is every time but fast; I think that there are not indications from which the disperse matter regroups again.

Animation GIF simulating the Big Crunch (clicK on the image)

Big Freeze or Great Cold; Theory of the eternal expansion
Big Rip or Big Tear

These two models that practicamente are similar approach my approaches more. Since the galaxies separate every time more quickly. But they do not explain the cause of the dark energy and cause acts as repulsive way, with regard to the gravity of the matter.

Animated recreation of the Big Rip.

Big Bounce or Theory of the Oscillating Universe.

I  would change it for the Theory of the Purified Universe, since like this would not affect to the 2nd law of the thermodynamics as it|he|she happens in an oscillating universe, if the matter is transformed but existing physics and the occurrence of new laws are not destroyed, unless in every cycle a total destruction and reinitiation of the universe were caused|produced, with the disappearance of the laws, in a purified universe there would not be destruction of the matter, since this would be recycled, but it would not be destroyed, that yes would stop emitting energy for wear in a given moment, but the matter in itself and the emitted energy would continue being propagated for the space. As this depuration would take place?. We are going to inquire in the most mysterious thing of the universe. The dark energy.

Dark energy

The explanation of all that would be in the essence of the dark energy. If we applied the concept of the chromatic blackness to the dark energy this would comply with the concepts or chromatic laws, that characterize to all the colors they are clear or dark, nuance, pitch|tone, intensity and saturation.
Thanks to all these chromatic requirements the dark energy could get to be saturated, provoking a depuration of the matter regenerating it cyclically, through contrasts of temperature. The 2nd law of the thermodynamics would continue inalterablemente.Lo that would be one possible a chromatic metabolism of the cosmos.
We find that in the dark period of the Big Freeze the chromatic fact, could|might have effects totally in the universe, its intensity of color would be so intense that it affected all the dark space.

To more intensity its speed of acceleration, would be faster even that the light, photons would be emitted but would not propagate, since its environment, was much faster than all the emitted energy.
And if we take that every color can get to be saturated into account, the ruling chromatism in the dark energy would not be an exception.
Since a saturated dark color would not accept more color. Then if for being dark it does not accept more color. But for the made same one of being dark it can not stop absorbing What would happen with the surplus absorption?.
Perhaps could a chromatic pressure not be produced that would affect the temperature in this dark period heat being reactivated in an environment where an almost absolute cold reigns?

In any point of the universe where there is pressure, it is produced as a result of that, due to an intense density of the matter a change of temperature heat being emitted.
Could the chroma in a dark background fund comply with similar requirements?

During the dark Era, the Universe will be an unimaginably enormous, cold, empty, and dark place.

The law of Hubble

“The law of Hubble is a law of physical cosmology that establishes that the slipping to the red of a galaxy is proportional to the distance to which this is.”
In this law it is proved that the universe, is sped up proportional to the distance in which it|he is. In a darker universe every time, the chroma would increase.
Due to that it would expand every time more quickly.
At more intensity, more speed of expansion

On the formation of the Universe

If the color were an independent state of the brain, that is that not outside an own sole right invented by this, if we suggested the color as a sole right of itself, that is as an own and personal state, could|might then influence directly in the brain, as well as in our environment and if it were true, it could also have a full and total influence on the cosmos. Since as external stimulus it affects the brain but everything not alone as much as it surrounds him.
The color does not have anything to do with the matter, although yes it can have effects on it, since a material with dark pigment, absorbs more heat that another with white pigment, if a material due to its chromatic circumstance can get to affect it physiologically in its variants of temperature, this same circumstance, could also affect all the universe.

Due to that the dark energy could|might also have a chromatic repercussion that would affect so much to itself with some similar characteristics, to as it would affect it chromatically to the matter but with results or opposed purposes. That is thanks to this difference of contrasts, one would act consequently to the other one.

The black as absence of light

The black is absence of light energy that wants to say, that it is perceived. when there is not light. This absence of light, is named darkness.
Also the black pigments, are named dark since in a position to sufficient luminosity they still absorb light.
Therefore the absence of light, the darkness and the blackness are characterized in that they do not emit light but absorb it.
The absence of light produces darkness, this to perceive it visually is transformed into blackness, this in turn is characterized, in that if it is perceived visually, a nuance means that we can give it a tone and an intensity specific besides a point of saturation in these three qualities.
The pigments of carbon for example, comply these qualities, these requirements, the luminous pigments also comply with them. that is those that re-emit light.
The chromatic qualities are them for all, the only difference is that they are opposed, since the dark one absorbs the energy and the luminous one the reflex one.

That means that even if in the visual perception they are opposed its chromatic virtues are current, in one as well as in the other one.
What allows this opposition is that the chromatic qualities can be viewed in different contrasts of color. Because of that to refuse it|him|her a color to the “perception of the darkness” is to deny him all what its tone entails its nuance, its intensity and its saturation chromatically similar to any luminous color.
For their being opposed that does not prevent to define them visually since in its chromatic qualities they are totally identical, or one white, one black, a red, blue…etc.
A pigment entails color, but not serious a pigment indifferently of whether it is absorber or emanative.

Thanks to the contrast, we can define that there are pigments with light and pigments without light, but never pigments without color.

The primary colors are not a basic estate|property of the light:

This heading is correct, the color is not light, the color is an independent state of the light. The color is chromatism. For me chromatism is all what has a specific pitch|tone, a more or less characteristic nuance, (that it goes from the mate to what is shining) and an intensity more or less regulated by the quantity or potential of light that receives, these three qualities in extreme situations can get to produce besides indications of saturation.
If the color is chromatism, the light is energy, product of an increase of temperature due to a pressure in the mass of the matter, the light that emits a star for example.

The chromatism as well as the energy are totally different states. However as they are related, that does not prevent one from being able to entail another. The color is transmitted to the human eye through the photons that the light emits. a little similar to a hose that transmits water, the relation|relationship between them is that one entails to the other one, but as elements are totally different.

The color in a biological concept:

By all what is biological the color as well as the matter is characterized to part of what, the fact that contains matter, is alive for me even if they are related are totally different. This biological concept would belong entirely in any case to the functioning mechanism-organic that it makes the vision through the photons that receives be able to perceive a color.

The physiological answer:

It is the result of this organic-mechanical system being built to perceive them, the colors are there to be let see, the problem lies in the faculty of the eye to be able to see them.
It has to be taken into account besides that for very perfected, in that it is this system if photons do not arrive it does not have anything to make. It is the photon that transmits the color and which through the light that it emits seeing allows it to us.
Because of that the brain not even creates nor causes colors. The function of the brain is to build this mechanism to be able to see them. When we see a table we define “the concept of table” but not the table in itself, since it is there to be let see. The tricromats as well as the tetracromats and dicromats depend on the level of evolution of the built visual mechanism.

And I think that it is important to take that what understands as an achievement or creative process that is produced in the brain does not stop being one into account a reconstrución more or less evolved by re-combining elements that are already established. The mixture and D-combination of elements, produces new states.
That the brain interprets it as creative stimulus and of sensitivity, create following something, we do not create of the nothing.
The brain by persevering, every time is sensitized more with its environment, around it interact a series of states and elements activated by contrasts of temperatures and cause not tambien for contrasts of color? this activity provokes a series of excitements, which arrive for us to us as stimuli.

The perseverance induces to the brain that by being always bombarded by these stimuli, builds to sensitive mechanisms to collect them, like this to have a constancy of its environment and a better quality of evolution and therefore bigger quality of survival being preserved. knowledge and understanding.
Every creative improvement does not stop being a reconstruction more evolved of what is built.

“Theory of the color”

Perception of the color

“wikipedia says”:

“In the retina of the eye there are millions of cells specialized in detecting the wave lengths proceeding from our environment. These fotoreceptoras cells, cones and the rods, comprise part of the spectrum of the light and, thanks to the Photoelectric Effect, transform it in electrical impulses, that they are sent to the brain through the optic nerves to create the sensation of the color.”

-Stop!! would it not be more correct to recreate or to reconstruct the sensation of the color, if sets off of the base that the color comes of an external stimulus and not of an invention of the brain?
Thanks to the photoelectric effect the chromatic stimulus manages to arrive up to the brain through electrical impulses.

“Wikipedia says”:

“Because the process of identification of colors depends on the brain and on the ocular system of every person specifically

-Correct: the process of identification depends on the brain.
Now according to my opinion the brain processes in the visual cortex as if of a library it were dealt, filing the chromatic stimuli in the form of screen tridmensional in constant movement, according to the distance and situation in which they are perceived, defining the forms through the chromatic contrasts according to the quantity of photons that they are fotoreceived in every instant. That spontaneous instant remains filed in the memory of the brain. Depending on the health and on the evolutionary experience of this to remind besides the collected image the moment of its perseverance in the time.

Two people can differ on the same one-colored vision but in something agree, that both will see chromatically, different tone nuance and intensity, but not because of that not left of to see a specific nuance, a specific tone or a specific intensity that is even if they defer an identical color visually, anybody will not prevent them to see them to its way, the characteristics of nuance tone and intensity take place with the same chromatic laws in both people even if both see indiscriminately.

That is even if they see them different, they never stopped seeing a specific color.
If you stop seeing a dark color you will see a luminous color, but we always have to see a color.

The vision is always obliged to see a lighter or darker color, but always a color.
Even the darkness is visible.
If we did really not see anything we would not perceive even the darkness itself.

“Wikipedia says”:

“The mechanism of mixture and production of colors produced by the reflection of the light on a body is not the same one to that of the obtaining of colors by direct mixture of rays of light.”

-I mean that they are referred to the subtractive mixture whose excess of mixtures they tend to be darkened and are saturated in the black with regard to the additive mixture that tends to be clarified and are saturated in the white. They defer among themselves cause are opposed situations, however they relate since both depend on a chromatic cause.

“List of pigments in Wikipedia”:

Pigments of arsenic: Green of Paris
Pigments of carbon: Carbon black, black ivory, black vineyard, lamp black
Pigments of cadmium: Green cadmium, red cadmium, yellow cadmium, cadmium orange
Pigments of iron oxides: Caput Mortuum, red oxide, red ochre, Venetian red
Pigments of chrome: Green chrome oxide, yellow chrome
Pigments of cobalt: Cobalt blue, cerulean blue, violet of cobalt, yellow cobalt
Pigments of lead: white lead, yellow Naples, albayalde, red of lead
Pigments of copper: Green of Paris, verdigrís, blue Egyptian
Pigments of titanium: White of titanium, yellow of titanium, black of titanium
Pigments of mercury: Vermillion
Pigments of zinc: White of zinc
Pigments of clay: Siena natural, toasted siena, natural shadow, toasted shadow, ochre
Biological pigments: Alizarin, alizarino crimson, blue, woodlouse, purple of Shot, ftalocianina.

“List of black tones in Wikipedia”

At present there are 50 names to designate different tonality in the black:

  • Ebony
  • Black tar
  • Anthracite black
  • Black asphalt
  • Black jet
  • Bluish black
  • Black shoe polish
  • Tar black
  • Black coal
  • Black caviar
  • Black coal dust
  • Black crow
  • Black patent leather
  • Black of aniline
  • Animal carbon black
  • Carbon black of bones
  • Black of coke
  • Black of Frankfurt
  • Lamp black
  • Black of lamp
  • Black of manganese
  • Black of iron oxide
  • Black of Paynes
  • Black diamond
  • Black domino
  • Black graphite
  • Greyish black
  • Black soot
  • Black ivory
  • Midnight black
  • Night black
  • Black onyx
  • Black oxide
  • Brown black
  • Pitch black
  • Black pigment
  • Slate black
  • Deep black
  • Black licorice
  • Black velvet
  • Ink black
  • Land black
  • Tourmaline black
  • Black universal
  • Grape black
  • Greenish black
  • Violet black
  • Blackberry black
  • Ink of squid
  • Indian ink

Black pigments

* Coal
* Graphite
* Oxide of black iron
* Coal
* Asphalt
* Black aniline
* The NiP (nickel with phosphorus) is the darkest substance that the man has managed to make

IN PREPARATION:

CROMACOSMOS – PART THREE

THE FORCE OF THE CONTRAST IN THE FORM AND THE COSMOLOGICAL BACKGROUND:

– As reason of the GRAVITY.

– His implication with the BLACK HOLES.

– As base to relate the FUNDAMENTAL FORCES.

– In his implication with the TIME

 
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